Glass Beams / Mirage

 Λίγο πριν την κυκλοφορία του δεύτερου άλμπουμ (και πρώτου) στη Ninja Tune , τσέκαρε το ντεμπούτο της παρέας από τη Μελβούρνη.

 

  

 

  

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The Smile / Wall of Eyes

 Τσέκαρε και το δεύτερο από το παρεάκι "Thom Yorke and Radiohead guitarist Jonny Greenwood with Sons of Kemet drummer Tom Skinner".

 

 

  

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Helado Negro / PHASOR

 Νέα κυκλοφορία από το φίλο Ρομπέρτο. Άψογο βίντεο παρουσίασης και πιο κάτω τα κλιπ που σκηνοθετεί ο ίδιος.

 

  

  

  

 

  

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H-Burns / Sunset Park (Extended Version)

 Και δεύτερο με Bertrand Belin

 

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Erik Truffaz / Clap!

Πρώτο με Bertrand Belin

 

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French 79 / Teenagers

 Με αφορμή το νέο κλιπ, θυμήθηκα να ασχοληθώ. Καλά το πάει ο Μαρσεγιέζος.

 

  

  

  

  

 

  

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Cannons / Sweeter

 Catchy.

 

 

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YĪN YĪN / Mount Matsu

 YĪN YĪN, the highly touted Dutch quartet from Maastricht, returns with a sonically expansive third album Mount Matsu. Recorded collectively in their own studio in the Belgian countryside, the album is a kaleidoscope of sounds and influences, occupying a no man’s land between Khruangbin and Kraftwerk, surf music and Southeast Asian psychedelia, Stax soul and mutant 80s disco, City pop and Japanese instrumental folk (sōkyoku). 

 

 

  

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BICEP / CHROMA 001 HELIUM

 Bicep — AKA Andy Ferguson and Matt McBriar — unveiled their new single “CHROMA 001 HELIUM”, marking the launch of their ambitious new project, CHROMA. Representing a significant evolution for the duo, CHROMA combines a record label, a series of curated events, a brand new and constantly evolving Bicep AV/DJ show, and a unique visual identity created in collaboration with David Rudnick and his Terrain studio.

Discussing “CHROMA 001 HELIUM”, Bicep shares that "HELIUM was written specifically for our London Ally Pally shows at the end of 2022. The show felt a little too sweet in certain sections and we wanted to add some more grit into the show”. As a result “HELIUM”, they say, stands out as being "a bit darker and more club-focused than most of our music we have released over the past few years. Although it’s actually a pretty fair representation of what we’re listening to and playing in our dj sets".

The releases on CHROMA — which will all feature Ferguson & McBriar in some form — were formulated with an ethos to cover everything “from Acid to Alkaline”, and the idea behind the label is twofold: as both a home for their own more underground club focused productions, and also a platform to share their wider music styles. “We’ve increasingly wanted to show a more rounded picture of what we do in the studio,” they explain. “We do a lot of more heavy techno focused music, ambient and various other styles that don't really fit into the “BICEP” sound, and which often never sees the light of day.” As such, fans can expect a wider musical palette and range of BPMs, and there will be a number of collaborations and music released under aliases, each with their own distinct sound and visual identity. “We want to use CHROMA to push our sounds and challenge people more than we probably have in the past,” they continue. “The label is designed to evolve and draw on inspiration constantly, both musically and aesthetically. We’re wanting to essentially create a world that’s an up to date representation of us both personally in terms of our evolving tastes.”  

 

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