Με το καλό να σου μπει και χρόνια πολλά.
Τσέκαρε κι αυτούς τους Βρυξελλιώτες, ο rastagiaire τους βάζει στα playlist.
δοκιμή εδώ
Με το καλό να σου μπει και χρόνια πολλά.
Τσέκαρε κι αυτούς τους Βρυξελλιώτες, ο rastagiaire τους βάζει στα playlist.
δοκιμή εδώ
Δυσκολία στον ύπνο;
Tripping with Nils Frahm captures one of the world’s most sought-after live acts performing at one of Berlin’s most iconic buildings.
δοκιμή εδώ
Τώρα τι να πεις; Χριστουγενιάτικο άλμπουμ Calexico - αναρωτιέμαι αν είναι οι ίδιοι μ'αυτούς που είχαν βγάλει το Black Light κάποτε. (κι όμως έχει κομμάτια που το θυμίζουν και το Piece of Mind είναι καλούτσικο)
δοκιμή εδώ
2 σε 1.
Τα πρώτα 6 είναι:
The Amorphous Androgynous return with symphonic 41 minute 'We Persuade Ourselves We Are Immortal' in 6 epic parts. Featuring the legendary Peter Hammill (the Van Der Graaf Generator) on vocals alongside a host of musicians including Paul Weller (piano and guitar) Ray Fenwick (Spencer Davis Group / Ian Gillan Band) lead guitar, Brian Hopper (Caravan / Soft Machine) on sax and many others including the 50 piece Chesterfield Philharmonic Choir and a 25 piece sumptuously recorded live orchestral string section.
Τα υπόλοιπα είναι:
The Amorphous Androgynous unite their award winning psychedelic compilation series ‘A MONSTROUS PSYCHEDELIC BUBBLE (Exploding In Your Mind)’ with their symphonic new single ‘We Persuade Ourselves We Are Immortal’ to create this latest installment of the Monstrous Psychedelic Bubble series.
δοκιμή στου Χουντμπα
Coldcut, Machinedrum και Δυτικοπαπουάνοι τα σπάνε.
Free West Papua!
Δώσε βάση.
Proceeds from the release will go to the Free West Papua Campaign. (δοκιμή εδώ)
Αντιγράφω από το μπαντκαμπ:
"Lindstrøm and Prins Thomas announce their new album, III, out November
20th on Smalltown Supersound, [...]
III is their first outing together in eleven years, since 2009’s II, and
as ever, Lindstrøm and Prins Thomas have crafted their own unique sonic
world.
This is expansive, luscious electronic music rich with texture and
intricacy, patiently revealing every eccentricity while constantly
pulling the listener in. Getting lost never sounded so good."
Εγώ πάλι θα πω κομσί κομσά.
δοκιμή εδώ
"Simple Mind is a total rebirth for my music. For this minimalistic live recording, I’m cleansing my own songs so you can (re)discover them in the most pure and intimate way. I want to take you to the closest of my chords, my melodies and my voice in order to share the essence of my art with you. As simple as that. Bisou." - Sébastien Tellier
δοκιμή εδώ
Ακούγεται και το τέταρτο.
The fourth volume of Adrian Younge and Ali Shaheed Muhammad’s Jazz Is
Dead series spotlights Brazilian jazz masters Azymuth.
δοκιμή εδώ
Άκου ν'ακούσεις. Ο Κρουντερ κι ο Ντορφμάιστερ ανακάλυψαν το πρώτο τους άλμπουμ 25 χρόνια μετά! Το έγραψαν το 1995 (προφανώς), έκοψαν δέκα βινύλια και μοίρασαν τα τέσσερα. Τώρα το κυκλοφορούν επίσημα και μάντεψε, είναι απολαυστικό.
There is geological time and deep-space time. The natural worlds time, and quantum time. Humans started measuring time with the stars and seasons. Then came hourglasses and sundials. The first mechanical clocks weren't in Europe until the late 13th century. Then came industrial time, a wristwatch for all and then everything had a time. A time for everything. All feeding into our recently digitised time and its marching nanoseconds. Let us not forget however another way to measure time: That would be K&D time. Yes, you can rush, but isn't it so much nicer to amble? This conception of time may well have its roots in those smoke mists, softly blowing through the pre-history of 1995, and if that was time - then we need space. In particular, one Viennese front room that has turned its bass bins out to the cosmos. That sweet smoke, shrouding the desk and sampler. A few old keyboards (as a friend skins up at the back) - unnoticed on the couch - just passing through Those days of K&D time had been thought to have gone. But one of times tricks is to hide itself in music. Not long ago (after a box of DATs had been found, and a DAT player prised back into service) back through the music wormhole our heroes fell into that smoke laden room of 1995. The remix time hadn't arrived nor the intense touring schedule. It was before the K&D sessions release and all that came with it, before the solo projects of the Peace Orchestra and Tosca. This was a time before all of that. A time for literally living in the studio and experiencing the joy of creating tune after tune. Just the sound and the smoke and no boundaries. It was before people started asking about when the album was coming out. Which developed it s own time specific answers. The 90s answer was soon, 00s answer was not sure and then: never ! from 2010 onwards. The truth was, an album had been finished by the spring of '95 and all recorded onto DAT and placed in a box. K&D pressed up 10 copies and gave 4 away to some suitably eccentric individuals. Then the room s doors opened and in a tremendously big cloud of smoke time rushed in, K&D rushed out, and the years went rolling by. The days got filled with remixes, touring and life. Then in early 2020 that chance moving of a box at the back of a room exposed the DATs and their time transporting properties. As K&D went through them they ended up comfortable and back in the room and that wonderful haze of 1995. The music was transferred from the DATs and K&D painstakingly rebuilt every molecule that made up the original 10 copies. From the very first takes of the mixes printed onto tape, to the solid slab of black virgin vinyl, to the abused by many plays, white cover. Even down to the labels that says 'Unverkäufliche Musterplatte' (Testpressing - Not For Sale) in rather rude German. It now looks, feels and sounds pretty much exactly the same as those original 10 copies did in 1995. The only thing that couldn't be done is the original clouds of smoke those 10 copies were bathed in. That will be left to the listener to wrap it in the fresh harvest of 2020. In one way it's a musical time warp space travel. In another, if the music becomes classic and timeless, then it's of its time, whatever the time. So as the rooms bass bins are once again turned out towards the cosmos, K&D are happy and proud to release what they thought were lost moments. Drop through the worm hole, take your place on the couch. The friend who is skinning up, always just passing through, listening to an album for the future called 1995. It all makes sense if you measure in K&D time. (source)
δοκιμή εδώ
ΓΑΜΑΝΕ.
GFO is the brainchild of composer/multi-instrumentalist Seth Applebaum. What started as a one-man recording project has now evolved into a 10-piece powerhouse live band. It’s a sonic kaleidoscope that defies genre specification, but draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.
δοκιμή εδώ
τσέκαρε και το προηγούμενο
δοκιμή εδώ
Αρκεί ένα διαμάντι για ν'αποκτήσουν τέτοιες συλλογές λόγο ύπαρξης, απόλαυσέ το χωρίς ενοχές και βαλ'το στην πλέιλιστ για το επόμενο πάρτι.
δοκιμή εδώ
Άκου κι αυτό, το πέτυχα στο σάουντρακ στο PES2020.
και σε λάιβ
κι αυτό αν αναρωτήθηκες για το Part One του κλιπ (με αποτυχημένο Όμηρο στην αρχή)
δοκιμή εδώ
Το νέο κόλλημα, το νέο αστέρι. Born in 1991 (θα κλάψω) στο Λονδίνο, μάνα από Γουιάνα, πατέρας από Τρινιντάντ.
Παρεμπιπτόντως, έχεις δει αυτή τη μεξικάνικη ταινία στο νέτφλιξ με την cumbia; Δες την, θα γουστάρεις. I'm no longer here, λέγεται.
Και το προηγούμενο άλμπουμ.
Από το πρωί που το άκουσα στο ριπίτ. Πες μου ότι με καταλαβαίνεις.
<>
Πάρε και ένα βιντεάκι από Παρίσι να γουστάρεις. Από British Columbia το κορίτσι. Και με υπογραφή Ninja Tunes.