Σοβαρότις μηδέν.
J’écoute Nana Mouskouri je vis ma meilleure vie (oui oui)
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Hania Rani announces her new album, Ghosts, bringing her songwriting and beautiful vocals to the fore and featuring special guests Patrick Watson, Ólafur Arnalds and Duncan Bellamy (Portico Quartet).
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Since its inception, producer and composer Joe Acheson has carefully developed Hidden Orchestra from a simple initial project concept of ‘an imagined orchestra’ into something that has flourished into a widespan musical universe of its own, that is truly unlike anything else.
After multiple albums with respected independent label Tru Thoughts, continued support from the likes of The Guardian, BBC6Music, FIP, JazzFM, several awards for innovative soundtrack work intertwined with AI and consistent global touring of an energetic and intriguing live show featuring two duelling drummers, their reach and influence has swollen to make them one of the highest regarded names in independent music today and has even led to collaborations beyond the world of music, with The British Library, Kew Gardens and National Trust all enlisting Acheson for unique installation projects. Yet regardless of the current brief in front of him, the initial mission statement to ‘create electronic music with acoustic means’ remains.
Acheson achieves this task with aplomb, conjuring intricate yet expansive worlds of sound, built in collaboration with a select core of talented musicians, combined with Acheson’s bespoke samples, field recordings, and carefully honed composition and arrangement sensibilities. Detail and craftsmanship are at the core of everything he does, even musically directing a diverse array of instrumentalists to capture unique samples of both improvised and scored nature. This ingenious approach really sets his work apart from the crowd and allows Acheson’s artistic vision to come to life exactly as intended.
While new album ‘To Dream is to Forget’ certainly maintains this mission statement, it does also bring about a sea change for the project on a few fronts. Released via Acheson’s own newly formed Lone Figures imprint, the musical direction for the record involved a concerted effort to condense musical themes and ideas into more immediate arrangements, with less utilisation of field recordings than previously released material.
Predominantly sticking to this ethos has indeed meant an average track length reduction throughout, however there is still the same high level of musicality and no shortage of ideas within this rich collection of 10 original tracks.
A familiar cast of contributors return - with long term members Jamie Graham (drums), Tim Lane (drums), and Poppy Ackroyd (violin) all present, alongside newer personnel - Jack McNeill (clarinet) and Rebecca Knight (cello) all helping to realise Acheson’s musical vision.
The album title is taken from a line by Portuguese poet Fernando Pessoa - “No one tires of dreaming, because to dream is to forget, and forgetting does not weigh on us, it is a dreamless sleep throughout which we remain awake.”
And this seems an apt calling card for a collection that draws influence from a fantastic and diverse array of places. Musically at any given point you are as likely to hear sounds akin to Max Cooper or Four Tet as you are Stravinsky, Debussy, and Ravel.
With the idea of ‘reimagining’ playing a key role in the creation of the project, this track leans into the overarching concept and nature of dreams reworking everyday experience into new subconscious stories…
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Turbo Recordings presents its grandest achievement yet, a reimagining of
Plastikman’s 1998 magnum opus ‘Consumed’, TRANSFORMED as a new
collaborative composition between original artist Richie Hawtin and sad
musical genius Chilly Gonzales… This is the story of an album three
decades in the making, brought into the world by Executive Producer
& co-visionary Tiga.
‘Consumed in Key’ is born of the obsessive love of a timeless work of
art, an obsessive fascination untempered by fearful reverence. It is the
result of a 30-year cycle of musical evolution and inspiration, a touch
of Canadian kismet (all three are from Canada) and artists finding
common ground where others would see none.
(trailer)
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The now iconic ‘Live from Studio S2’ memorizing performance gets a sought after limited vinyl edition.
Recorded live on February 4th, 2021 in Studio S2 of the Polish Radio in Warsaw.
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το βίντεο εδώ
Ήρθε κι η ώρα του Μoby να λάβει το Deutsche Grammophon treatment, κατάλαβες τι σημαίνει αυτό Θανάση μου; Σημαίνει ότι γέρασες, 26 χρόνια πέρασαν από τότε που βγήκε. Κάθε φορά που το ακούω, όμως, ανατριχίλα:
Στα σχόλια, συγκινημένοι μπούμερζ θυμούνται. Κι εγώ βέβαια, θα το θυμάμαι πάντα από την τελευταία σκηνή στο Heat.