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11 months on the release from his breakthrough album, the excellent Talisman, Normandy native Fakear returns with a sequel of sorts, Hypertalisman. At the heart of the album is a woozy, often picturesque trademark sound that cannily combines elements hyper-pop (specifically cut-up and mutilated vocal samples), deep house, and the kind of impossible-to-pigeonhole, UK bass-adjacent melodic excellence that was once the preserve of electronica.
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