New Hook / Manipulation

 Δυνατό. 

(νομίζω, λόγω Κραφτβερκ, ψαρώνω με όσα μπλιμπλίκια τα λένε γερμανικά)

 

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The Frightnrs / Always

 Καινούργιο. 

"The fact the Frightnrs have released a second album with their original lineup is a truly remarkable achievement given the group’s history. Frightnrs lead singer and guitarist Dan Klein lost his life to ALS a few months before the release of their 2016 debut album Nothing More to Say, and while he made it clear to his bandmates that he wanted the group to continue, replacing Klein’s high, clear, soulful voice, a perfect instrument for the vintage rocksteady and early reggae sounds that are the band’s hallmark, would be a daunting task. As it happens, on 2022’s Always the group has managed to make a new album with Klein even if he isn’t available in the flesh."

 

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Jeshi / 3210 (Ross From Friends Remix)

 

 

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KH / Looking At Your Pager

 Μύθος Four Tet.

 

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Tourist / Inside Out

 Grammy Award-Winning UK Electronic artist, producer, and songwriter Tourist releases his deeply personal fourth studio record.

 

 

 

 

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Flume / Palaces

 Το υπόλοιπο άθλιο.

 

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Project Gemini / The Children of Scorpio

 Interesting:

" A cinematic musical journey that plays out like a long-lost soundtrack (think cult B-movies of the 60s and 70s); 'The Children of Scorpio’ was formed from Paul's love of a myriad of genres; from European library music, acid folk, psych-funk, vintage soundtracks and the contemporary breaks scene. The album draws on iconic classics such as the masterful cinematic funk of Lalo Schifrin's 'Dirty Harry', Ennio Morricone's 'Vergogna Schifosi’ and Luis Bacalov’s 'The Summertime Killer’, to name but a few. You can also hear the folk sounds of Mark Fry's iconic 'Dreaming With Alice', the Britsh folk-jazz of The Pentangle and the David Axelrod-produced 'Release Of An Oath' by The Electric Prunes, woven into the cultural tapestry of this gem. The influence of these vintage productions of the 60s and 70s is evident; however, it could be argued that there’s also echoes of the funkier psychedelic moments of bands such as The Stones Roses and The Charlatans, alongside contemporaries such as The Heliocentrics and Little Barrie, thus giving the album a broader crossover potential beyond the world of crate digging and vintage soundtracks."

 

 

 

  

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Subjective / The Start Of No Regret

 Ναι, ο Goldie συνεχίζει να κ@βλαντίζει.

 

  

  

  

  

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Local Suicide / Eros Anikate

 Για να μαθαίνεις:

"Greco-German Berlin-based couple Brax Moody & Vamparela have been releasing music since 2014 n playing in the hottest venues and festivals in all four corners of the world on their journey to worldwide technodisco takeover. A wild fusion of new wave, acid, slow techno, EBM & postdisco is what defines their signature sound, that has won them overwhelming support from the music press & prolific DJs."

Εγώ στο ποστάρω για το εξώφυλλο και για τη Λένα Πλάτωνος να απαγγείλει Αντιγόνη (στο 11).

 

 

  

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Pendant / Harp

 Περίεργο.

 Los Angeles-via-Oakland musician Chris Adams who makes music under the moniker PENDANT releases his Saddle Creek debut Harp, on April 8th. A lush, surprising new body of work from the producer and songwriter, Harp connects 90s house and rave music with hip-hop, shoegaze, and pop, and which serves as a culmination of years of painful emotional work for Adams brought on by the death of his Father over 10 years prior. Though Harp is Adam’s sophomore album as PENDANT, it feels like a starting point. The release of his 2019 debut Through a Coil was shadowed by the dissolution of the record label it was released on the day it was released. A year later he was burnt out. Attempting to tour the album had been hard on his voice, and the structures of rock music, which had dictated his entire life as a musician, were beginning to feel claustrophobic.

PENDANT’s salvation came, ironically, in the form of the pandemic. Adams was ready to make new music but was both mentally and physically marooned, unable to reach the tools he would ordinarily use to make music or the headspace he would ordinarily inhabit. Without a guitar, the crutch that had supported much of his music-making in the past, he was forced to sketch out Harp’s world in a more impressionistic, free-associative way. Long a fan of dance and electronic music, he was suddenly without any good reason to not venture into that beat-heavy, synth-drenched world. The resulting Harp recalls the precise but emotionally rich landscapes of Arca or Oneohtrix Point Never, rendered in the watercolors of My Bloody Valentine.

 

 

 

  

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